ElectroRoots // Folktronica // Hillbilly House // RaveGrass
Banjos and synthesizers… Dulcimers and wubs… Strange flashing lights… Unexplained phenomena… The Spooklights (formerly MK Ultra) is a collaboration of Ben Miller and Pat Kay that is not what anyone would have expected from these two renowned torchbearers of Ozark mountain music tradition heretofore. It’s certainly not what they expected when they traded keys to one another’s bunker of busted toys and forlorn experiments during the lockdown of a global pandemic.
From a pile of spare parts and fringe ideas, these industrious cobblers of homemade gear soldered a few choice wires between Electronic Music and their trademark “Ozark Stomp Grass” producing a jangle-stomp time-machine to vessel their most bizarre implements and soundscapes. In it, they have embarked on a journey exploring hillbilly music from a distant future. Hop on in, y’all. It’s only weird the first time.
The Spooklights’ debut album entitled ‘MK Ultra,’ an homage to the original band name, was released October 27, 2023 and is available on all platforms.
LISTEN: https://fanlink.to/thespooklightsMKULTRA
https://www.facebook.com/thespooklightsmusic
https://www.instagram.com/thespooklights
Charlie Otto has been a Chicago favorite for 15 years. The founder of the cult darlings This Must be the Band and DJ noDJ, he’s sold out venues around the United States, and has had the honor of playing alongside many amazingly talented people including some of his musical idols, like Umphrey’s McGee and members of King Crimson and Smashing Pumpkins.
“charlie otto + his gear” is his first solo project, running on the cutting edge of both music and video performance, spontaneously using his guitar solo to generate what you see on the screen, or turning a knob to both modulate a synth and distort the images in the video. The technology to connect the sound and visuals to this degree is only recently being developed, and with the help of video guru DRMBT, Charlie experiments and pushes this tech forward every show.
The songs are not experiments though, they’re fully developed SONGS. The lyrics and chords are gushing with feeling, the drums are throbbing, the synths are huge, it’s very electronic while still achieving rock and roll status – probably because most of it is controlled by Charlie’s multi-guitar. Although the entire show is danceable, don’t be surprised if there are times you’re glued to where you stand and your jaw stays open. Either way, it’s something that you’ll have to talk about later.
Since 2020, Charlie and his gear have been playing shows big and tiny all over the country, from three consecutive years at Summer Camp Music Festival to a brewery tour of SW United States. He’s always thrilled to do what he loves best, and thankful for the music fans that make that possible.